HOME >SOUTHERN TAIWAN > ARTICLES >

FYI SOUTH Magazine, March 2006

AMATEUR PHOTOGRAPHERS GET THE BEST SHOTS

--By Hugo Shen, Glenn De Villiers, Richard Matheson & David Barker Translated by Annie Liu & Cara Steenstra

Some of us were born in South Taiwan. Some of us have made it our home as ex-pats. And some of us are here on holiday or for business. We all have something in common. We all consider ourselves, to some degree, to be amateur photographers. One need only visit any given tourist spot to see the truth behind the humour (or vice versa). However, owning a camera doesn't necessarily make you a photographer, and there is a visible difference between a memento and a moment captured.
We spoke to some local amateur photographers who all share a passion for getting that perfect shot; and have gone though the effort and expense to get it. Look, listen, learn - and enjoy.

HUGO SHEN
Photography is part of my life. Carrying a camera bag, that weighs 7 or 8kg, around has never been a problem for me, as I would rather tough it out than miss out on a photographic opportunity. There have been times when I argued with my girlfriend at the time over whether or not to bring a camera with me when I go out. Yet therein lies the fun of photography. I enjoy the sweet along with the bitter. Some people like to complain about the quality of their lenses or cameras when their photos don't turn out the way they had hoped. I have a completely different outlook on this matter. Great equipment does not necessarily equate great photographs. Some people are always searching for the next new thing in the latest equipment without bothering to improve their photography skills. It would be a waste if people who didn't have the proper skills used the best equipment. Rather spend your energy improving your photographic skills.

In this age of overwhelming sensory assault, few people would take the time to think about the "5W1H" behind each work of photography. It simply means the What, Who, Why, Where, When and How behind each photograph. The beauty or ugliness of each image, or the meaning that it conveys might not necessarily have too much connection. I would suggest taking time to look at the "5W1H" behind each photograph. The true meaning of each photo might not reveal itself immediately, as you need to feel it with your "heart".
Album: http://www.wretch.cc/album/walelakw
Blog: http://www.wretch.cc/blog/walelakw
E-Mail: ok4444666666@yahoo.com.tw
Cell Phone: 0911 720 923

GLENN DE VILLIERS
Glenn De Villiers is a 44-year-old South African who has lived in Taiwan for 12 years now, the last 10 in Kaohsiung. He teaches Physical Education at The Kaohsiung American School, amongst other subjects. When he is not chasing down the hares of that demented bunch known as the Hash House Harriers (there are enough photo opportunities there to clog up many a memory card) he loves doing what he calls "photocycling"; taking his camera for an extended cycle out into the farmland of Kaohsiung county. As an expatriate, he finds capturing the ethnic cycles of Taiwanese culture extremely stimuating. His photography is unique, opportunistic and often brilliant.

In his own words: "I have recently been converted to digital photography, but still have residual feelings that this is 'cheating' somewhat. I have little interest in postproduction and all my shots are as seen by the camera. My pleasure is derived from taking the shot, and getting into the right place to get the shot.?
While he describes himself as "very much and amateur", he is happy to take on photographic assignments - as long as he is not expected to stick to convention. Glenn can be reached at 0929-075- 769.

RICHARD MATHESON
Richard Matheson, a Canadian who divides his time between Tainan City and a mountainous part of Kaohsiung County, believes that Taiwan's great in that you can photograph almost anything. "People don't get offended." He names the Anping Treehouse - an old warehouse in Tainan City overgrown with banyans - as his single favorite location for shooting. Whenever he's in the city, he loves "going down little alleys and finding cool stuff."

Richard has now converted to digital equipment only. "While a single flash memory card can hold up to 4 gigabytes of photos, if you are shooting in "raw" format (instead of the more common JPEG format), even this can fill up very quickly, especially on outdoor trips. Moreover, at around NT$10,000 per card, this form of storage isn't cheap." His suggestion; carry portable storage in the shape of a hard drive. Some hard drives, designed with photography in mind, have built-in review screens.

nfortunately, like digital cameras, such devices require batteries, and these have to be carried if recharging is not possible. He also urges photographers to take precautions against Taiwan's humid climate. "Keep your gear dry. Get a dry box if you're shooting film or slides. Get your gear cleaned every two years or so, to stop mold." Richard's final advice: "Never leave your home without your camera".

DAVID BARKER
(Although the abovementioned photographers have all contributed to FYI South magazine, readers are sure to recognize David's name from many articles; and as the genius behind those oh-so-important cover shots. - Ed.)

People with no interest in the restaurant industry in North America might find themselves running a chain of coffee shops in Taiwan. One might develop, upon moving to Taiwan, a passion for martial arts or acting. I, too, have experienced this. I typically had a camera while growing up in Canada, but never used it for more than a point-and-click documentary of my brother's graduation or my sister's broken leg. Upon moving to Taiwan I realized how much I enjoyed photography. I still don't know the correct English translation for some photography terms I have learned here.
About 2 years ago I bought a digital camera. I've been snapping away like a madman ever since. As my camera bag gets bigger, and my shoulders more sore from the weight, I think I'm gradually figuring out what makes a nice picture. I took a few scenery pictures around that made myself smile, but now prefer living subjects. I developed a love for the human portrait. How do you trap a hint of your subject's personality in the picture? Every month I learn a new trick, and am humbled by the reality that I know so little, but I love it.

In the past 6 months, I have concentrated primarily on event and fashion photos. I generally prefer a wide-angle lens and an off-camera flash. You may spot me at parties or concerts, lurking in the shadows, waiting for the right moment. You can check out some recent pictures at www.davidbarker.com or www.wretch.cc/album/baodaifu.