The
screenwriters reportedly based this screenplay
on Hillary Clinton's experience at Wellesley in the
early 1960s. The film shows a school which teaches,
above all, that a woman's duty is to stand by her
man. If Clinton learned that, she also learned
a good deal more. No doubt she had a teacher as inspiring
as Katherine Watson (Julia Roberts), who trades
in the freedom of Berkeley for a crack at Wellesley's
future corporate wives.
The board of
trustees is suspicious of Katherine Watson, modern
art and everything else that is potentially "subversive," and
resistance among the undergraduates is led by Betty
(Kirsten Dunst), whose mother is a trustee, whose
plans include marrying a morally shifty Harvard man,
and whose editorials in the school paper suggest
Watson is leading her girls in the direction of communism
and, worse, promiscuity.
The movie is
more observant and thoughtful than you'd expect.
It doesn't just grind out the formula, but seems
more like the record of an actual school year than
about the needs of the plot. The audience gets to
be both teacher and student--you can imagine yourself
as a free spirit in a closed system, and as a student
whose life is forever changed by her.
But the characters
are involving; we sympathize with their dreams and
despair of their matrimonial tunnel vision and, at
the end, we are relieved that we listened to Miss
Watson and became the wonderful people we are today. |